Alumni Network Now Open

Category: Creative Events, Random| June 27th, 2008

VSAA Alumni Network ready to help you reconnect!

MySpace, Facebook, LiveJournal and other social networking sites have been a good source of communication when VSAA students graduate. It’s natural to add friends from school and keep in touch on those sites. But what if we want to do more? What if we want to host an event to get everyone back together? Or talk about a new project we want to start? Or get an update on people’s lives? And what about this whole “alumni association” we heard about a couple years ago?

The reunions for the first graduates have sparked the need to have someone centrally coordinating alumni events. As well, past feedback on what grads want to do with their old VSAA chums range from reunions to art projects. To answer this need, I (Joe Ryder) and others are looking at what it will take to form a non-profit organization, separate from the school, that will fully address the needs of the current and future alumni. Why break up a family like we have just because we lost contact? Our goal is to keep in contact with everyone and welcome new recruits into the alumni family.

We have renamed the project “VSAA Alumni Network”, and the beginning of this is our new Ning social network: http://vsaagrads.ning.com/. The Alumni Network will be the central point for updates, events and questions for the alumni. All grad classes are encouraged to log on, create a profile and keep up to date on what your old friends and new alumni are doing.

You may ask why you would need yet another social profile if all you need is MySpace or Facebook. The answer is that this site is going to include other features you can’t maintain on those other sites, like an event calendar and dedicated announcement sections for reunion events. You can port stuff like your MySpace blog and some of the Facebook widgets over to the Alumni Network (for help, ask Joe). Plus, all the new info coming out on the alumni association and volunteer projects will be posted on this site. Even if you are no longer active in your art, volunteers are always needed with other skills that are useful to completing a large creative project.

Get your profile early and help us create a community of alumni unlike any other school can have! And if you are available to be involved in the non-profit side (conducted mostly over email and periodic meetings), please let Joe know on the Alumni Network site.

http://vsaagrads.ning.com/

Ken Rigney: Lake Oswego Festival of Arts, June 20-22

Category: Creative Events| June 18th, 2008

Ken Rigney, local Northwest artist and a fellow graduate of the Vancouver School of Arts and Academics, is on display at the Lage Oswego Festival of the Arts from June 20th to June 22nd. The festival runs from 10 am to 9 pm over the weekend. His?pieces will include three scultures in the open exhibit and one in the juried showing. The artist will be there at the Artists Champaigne Reception on June 20th between 6 pm and 7:30 pm.

Ken is a profoundly talented sculptor, specializing in shock art and abstract scultures. Regardless of the evil you may perceive from his work, the monstors, disfigured busts and abstractions nonetheless preserve the humanity built into each design and portray the emotions each piece represents with subtlety through horror. His greatest influences while a student at the VSAA were H. R. Gieger and the masters of horrow movies. Ken puts a lot of himself into this creations, both in physical labor and emotional extrusion.

Check out his art on MySpace at http://www.myspace.com/kenrigney. And please go to the showing this weekend.

Held at Lakewood Center for the Arts, 368 South State St, Lake Oswego, OR.

Updates pending stupid server errors

Category: Random| June 18th, 2008

I am trying to get all my services and blogs, from MySpace to AllegedGenius.com, channeled through this site as a repository. Unfortunately, my server host decided to instigate a quota for upload file totals, or at least that’s the error I got, so it will be a little while until I get that completed. Once done, you few readers I have will hopefully be joined by others who are forwarded here to follow my thoughts. I have three blogs that are being updated, with MySpace being the most updated to help my friends keep up with me. I see no reason to leave my main blog untouched and stale, so combining RSS feeds is the next logical step.

I will let you know when we are up and running. In the mean time, I’m off to kick server admin ass.

Discussing the future of art school alumni

Category: Creative Business, Creative Industry, Random, Small Business| June 16th, 2008

So sad is the failure we’ve seen to get a feasible solution to the need for an alumni association for the Vancouver School of Arts and Academics. So far, we have created nothing more than events, unsponsored and left to the organization tactics of chance-happenings to fulfill their production. I do not take away anything that Jeri and the coordinators of the VSAA-sponsored performance celebrations did; they had produced a celebration for the 10 year birthday of the school and other reconnection events that have us a glimmer of what we really should be doing when we reconnect to the school. But outside the school, alumni are reluctant to take on a volunteer program that suggests needs of both time and motivation, resources that are already being pulled away by family, friends, work and… well, life.

More than anything, I want to open a meaningful discussion to the alumni about how we can improve our communication. Sure we have parties and MySpace/Facebook/Livejournal groups, but could there be more that we can do in this age of communication? Could this network of artists we have been trying to cultivate produce something tangible? Something sustainable for future generations? If you look at the history behind the alumni association, it’s presence intends to meet both the social and philanthropic needs of the growing body of graduates of the school. However, with connectivity and communication enhanced through digital networks (cell phones, online services, etc), the social side of an alumni association is competing with backyard barbecues and bar meet-ups. We end up removing the pomp and circumstance to focus more on the enjoyment of one another, and it works. Why change that? Why not just embrace it and help it grow?

In true VSAA fashion, why don’t we apply fundamental questions to this discussion? No, I won’t list them all off. By now, all that really care to read this know what they are. If not, check the VSAA Homepage and you’ll get it.

We know that students are looking towards their future and hoping they will keep the same ties as they did in high school. We felt that as students, and the school is still hearing that from new graduates. We know alumni, so far, feel like they’ve done a good job in keeping up their own connections to other alumni through online networking, and as more alumni get into the cybersphere we see less insistence on using the alumni association to keep connections going. We also know that alumni don’t have a clue what they really want to do with an alumni association, and that they feel being directly involved with operations is not feasible with their personal and professional lives. We know all this because people in the original alumni association project, at the school and on the social networks themselves have gathered opinions and relayed them back and forth.

We have to consider the perspectives of current students at VSAA, parents, alumni, staff and community members, including the Vancouver School District. Current students would like to keep in touch but don’t want the kind of social-only operations of a normal alumni association. They also want some guidance as they go out and become artists and members of society. Parents are even more focused on future support for their kids. However, they are wary about access to their children given to various individuals without a screening process; with today’s worries about abduction, coercion and influence, parents are taking a more active role in who their kids talk to online and in real life. Staff and community members feel similarly about students being referred to a group of so many people they’ve known previously but whom could have changed since being part of the school. Alumni themselves are interested in getting to know new graduates, more for nostalgic reasons but also to know how the school has developed and what talent is being produced from its halls. More importantly, they are looking to reconnect to that feeling of family and community the art school once offered.

The impact these perspectives have on how an alumni association will be formed, operated and regarded is huge. It tells us what we could and what we should not be getting ourselves into. It also reiterates the need to rely on what works and not overcomplicate things by formalizing our own social network. That impact extends to alumni relationships with the school in the future, both as resident artists and mentors. It affects how the district would be regarded in that an active alumni association is more visible than the simple success of the school itself. We would hope it offers friendships both personal and professional throughout the lives of the alumni. And it would somehow benefit Vancouver and the other local communities by continuing to have an active artist community based around the VSAA.

Importance is based on the risk of having or not having this formal version of what alumni do on their own. Is it important to connect ourselves back to high school? Or is it important to keep our adult relationships separate, living in its own dimension of our living experience? Would we get enough out of it to exchange time and effort originally being given to other pursuits like family and other projects? The risks of losing a part of our lives by further being involved with the legacy of the VSAA rests on the risk of wasted time. That should be a factor in how we create this program. The risk of failure is not a real factor as that kind of risk is in every project you start; instead, we should consider the risk in failing due to lack of resources for programs that need too much money, people or time to meet the needs of those involved.

The alumni association program should also be important to the future of all alumni. It should affect how we communicate as artists between each other and with our community. It should help educate new artists in the market on how artists survive in their craft. It should allow artists to be creative in whatever they do, even if they don’t feel they have the “talent” to be an expert in their primary art form. It should be a way for us to create art and relationships through art. And it should continue the practices and philosophies upon which the VSAA was built.

If we didn’t have so much invested in social networking today (say, if we were pursuing this ten years earlier), there may be a need to have association-sponsored events to connect alumni together. That is not the case, however. The same can be said about having an alumni association at all; ten years ago, it would relatively be unheard of to have a group of art students create a group that would benefit both the artist community, the personal lives of the alumni and the academic pursuits of current students of the school of subject. We would just be a social club, and anything more would be up to the alumni themselves to coordinate. However, when considering a district- or school-initiated alumni association, I would think the program would start up much like the school did in the first two years: activities being developed on the fly, lack of planning, lack of funding and low morale of those involved. Most importantly, something like that would not be initiated in the spirit of the alumni, but rather those who think they know what an alumnus wants.

So we come to the last consideration, the final fundamental question: what is the next step from here?

The PTSA has expressed their decision to decline any program that involves setting up activities on social networking web sites. The parents are freaked out about access to MySpace or Facebook, as perhaps they should be when talking about current, underage students. Therefore, any current-student involvement would have to be done through the program itself. It seems to be reasonable to maintain a representative of each graduation year, but with the co-mingling of grade levels it is hard to single that grad year out as all being the same friends. A great example of that is the 1998/99 10-year reunion, which is shaping up to be a year-long set of mini-events so that everyone can attend at least one. In this case, the organizers were whomever wanted to be involved, and it turned out that some from both years volunteered. So we have to determine the answer to both sides of graduation day: before and after, how will the students connect?

Then we need to decide what, in fact, the association will do. We can see a need to limit the number of social events we are coordinating. Perhaps a yearly alumni body super-gathering, or a semi-annual gathering so people can be at events on their schedule. The idea of a super-gathering is to get the entire alumni body connected, something a web site may not be able to do effectively. From there, we can discuss per-grad-year celebrations and whether that will be needed. Is it better to take a three or four year span - perhaps a gathering of everyone in the four-year high school grade level from one year to the other, like 1998 to 2002 - and make that the group celebrating? That’s certainly a consideration, seeing as not only do grade levels co-mingle when in school but past grads end up following the exploits of friends not yet graduated. I know I did, even coming back and helping in projects when they needed it. So the audience our events will cater to will be a factor.

We also need to determine the feasibility of producing art projects through the association. The basis of having an alumni association in other disciplines is to develop an individual professionally as well as personally, and there is no better way to improve the marketability of an artist than to give them both experience working in a collaborative group and portfolio material to show future clients. Even if you’re looking to work in marketing, PR or other creative administrator position, having some examples to show potential employers helps your interview and shows that you have something relevant to bring to the position. We can create projects that are more meaningful to the alumni (the artists) and the audience than any other discipline (medical, automotive, business, etc). It should be a goal of the alumni association to sponsor those projects, in all art forms.

After we consider all that, the next step is finding the people who will make this happen. As I have said before, I am very interested in getting this off the ground, and with my business/project management degree behind me I am more ready to see this through. But I can’t do it alone. I will start taking volunteers from both the alumni themselves and the community after we draw up a charter that includes the vision of the association and how we will meet the needs of planning and running the association. I don’t mind coordinating the effort, though I am like others who have a very busy life (I have four kids, a loving wife and a career to pursue). I just can’t do it alone.

I have been working on some other ideas as well. I am trying to startup a small business for cultural development, specifically supporting local artist communities through collaboration projects, communication tools and community involvement. I’m starting with Vancouver and working my way out from there. The company may go non-profit, but for now it’s just a social services company. Something similar could be done with the alumni. There is no reason the alumni association would have to run through the PTSA. We can be our own entity. The only drawback to that is getting the funding and board members to create the non-profit. If we are a for-profit company, we would not get donations and some sponsors would refuse to fund us. However, it would be possible to setup a for-profit company and just publish profit at a loss until we can organize the incorporation.

I would love to hear from any alumni or students on your thoughts with this. If I put my other projects aside, I could have this up and running in 6 months, along with the non-profit company status. The project just needs people to get involved.

Review: The Ten Commandments of Art Pricing

Category: Creative Business, Creative Industry, Freelancing, Marketing, Small Business| March 23rd, 2008

Robert Genn wrote a list of ten commandments for the professional artist not sure how to price him-or-herself when selling prints.

Robert Genn’s Ten Commandments of Art Pricing

  • Thou shalt start out cheap.
  • Thou shalt publish thy prices.
  • Thou shalt raise thy prices regularly and a little.
  • Thou shalt not lower thy prices.
  • Thou shalt not have one price for Sam and another for Joe.
  • Thou shalt not price by talent or time taken, but by size.
  • Thou shalt not easily discount thy prices.
  • Thou shalt lay control on thy agents and dealers.
  • Thou shalt deal with those who will honour thee.
  • Thou shalt end up expensive.

The list is inspiring, and gives me great insight on how I should start pricing my prints as I setup download and framed print sales through Lulu.com. How would you price yourself as an artist of your medium?

Flickr Review - March 15 Continued

Category: Random| March 15th, 2008



Carry the weight of the world

Originally uploaded by K weav

Had to post this set by Katy in Portland. I would say, for her age, she is an excellent photographer. I think she limits herself a lot, though. She has lots of pretty pictures and well-composed self portraits, but nothing that could carry a deeper message. The image here - a photo and digital edit she says does not mean she’s “clinically depressed or emo” - Is the only one I could say really digs deeper than the lens.

Props to Katy’s ability to capture people with emotion and beauty. Now if she could just make a statement…

Flickr Review - Mar 15th 2008

Category: Random| March 15th, 2008



Shapefinder #5

Originally uploaded by allegedgenius

This is actually my new flickr account. I just wanted everyone to know it’s there. The pic here is a series called “Shapefinder”, where I show how one would find figures in seemingly random shapes or lines. I’ve been doing this kind of practice for years, simply scribbling random lines on paper and finding the faces or people who pop out of the chaos. If you’re looking to learn cartooning, this is a great routine to get into. You find how to exploit body parts and facial features to get what you want. You’ll be surprised what pops out of nothing. And with some practice you will see faces pop out of other things: rocks, trees, clouds, wood grain, etc.

Flickr Review - March 12th 2007

Category: Flickr Reviews| March 12th, 2008


station panarama tiny size

Originally uploaded by Inthehat

WARNING: Shameless plug for a friend follows!

inthehat, aka Matt, a friend of mine from high school, is an aspiring photographer that has a great view on how a camera and photo should be interpreted: an extension of the dynamic vision of the human eye. He specializes in panoramics, but his general still photography is real and honest. He has all the right elements to his composition: form, space, proximity of elements, movement of the eye and depth. I am interested to see how his work would survive a themed montage. If he was to shoot a series that compared urban areas to rural or small village communities, I am sure he would turn heads.

Matt seems to be one of those artists who can’t decide if he’s a hobbyist or professional. While he enjoys and is skilled at photography, I am not sure if he wouldn’t shy away from making that his career. He is a musician as well, a trait of multimedia studies instilled by the Vancouver School of Arts and Academics (VSAA) where I first met him. I expected many of the students I knew to be interested in more than one art form, and it always seems to be music paired with either visual or moving image arts (film, video, animation, etc).

I encouraged him to expand his panoramics (literally) to take one panel and add more panels vertically to further break the rectangular mold of photography. I also think he needs to sell his work on Lulu.com. I hope he takes my suggestion.

Flickr Review - Mar 8, 2008

Category: Flickr Reviews| March 8th, 2008



DORIAN LIGHT TEST

Originally uploaded by KOUMAKO

Koumako is a terribly talented artist who has a plethora of content on Flickr. He has no profile info, but judging by the mapping option on Flickr it looks like he/she resides in France. This is a great example of how astonishingly realistic the tools in openCanvas, created by Portalgraphics, can be for a digital artist. I am using it for the first time and can’t believe I never heard about this before. I will never paint in Photoshop again. And Koumako makes a convincing argument why.

With profound color techniques and dramatic contrasts, Koumako gives us a world out of focus, translucent and dreamlike. You could imagine the same reflections from a dirty mirror pointed towards a pool of crude oil surrounded by demons. Koumako makes a splattered blend between shades, but it almost looks like clay gouged out and spat upon.

If you have not tried openCanvas yet, please do so by downloading it at http://www.portalgraphics.net/en/.

If Koumako, or anyone who knows this user, can send me some real life info to add to this review, please do so. I want to give overwhelming credit where it is due.

Johnny Davidson to resume solo career

Category: Audiology, Creative Events| February 29th, 2008

Silversafe frontman Johnny Davidson announced to fans in the band’s emailed newsletter this week that he would resume his solo career. Davidson, who has followed in the footsteps of the Goo Goo Dolls frontman and adopted to go by “Jon” as a soloist, has showcased his solo skills in live sessions for Silversafe, taking over guitar and mic to change up the set. Davidson’s voice and musicianship resembles many other lead vox jocks who have splintered out to rock it for themselves; his style and sound reminds me of such artists as John Reznick from the Goo Goo Dolls, Chris Cornell from Soundgarden, Aaron Lewis from Staind, Chad Kroeger from Nickelback, Eddie Vedder from Pearl Jam and both Lane Staley and Jerry Cantrell from Alice in Chains. He has a solid dynamic in his vocals and has offered lyrics with emotion and purpose. Fans of Silversafe, I being one of them, are interested to see what is derived from this solo project. From the sample on Davidson’s MySpace Music profile, we can expect a poignent, mainstream-capable acoustic rock project.

Check out Johnny… er, Jon Davidson, on his MySpace page: go to http://www.jondavidsonmusic.com/ or http://profile.myspace.com/jondavidsonmusic/. Davidson will be performing Maryland in March and PDX local spots in April. Stay tuned to his MySpace Event Calendar for details.

Jon Davidson


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